Tag Archives: event recap

Thanks everyone again for coming out last night to see Hinge Digital and The Foundry show us the goods.  I have the usual blurry iPhone pics to prove it!

Mariana from The Foundry sure knows her stuff, and it was good to get the low down on Katana and a snapshot of Deep Compositing using openEXR 2 renders in Nuke.

And what can I say about Hinge?  Incredible.  Unprecedented.  The Hinge Digital troops brought a big platter of awesome to show and dropped science like Galileo dropped the orange.  I can only speak for myself here, but I have never, EVER in my days seen such an in depth breakdown of a project – detailing the process from inception through execution.  This was like a Bobby Knight basketball clinic, without any chair throwing.

I especially liked seeing the previz and storyboards come to life from infancy to fully realized renders.  Heck, I even worked on this project and was with them for the bulk of it, and I didn’t realize how much prep and hard work went into selling the designs and story.  My head is spinning just as much as yours!  They have a knack for cheating the gremlins and don’t let any problem stand in the way of delivering great results.  It was also great to get the Hinge partners’ unique take on the Portland scene and how they’ve navigated the waters the past 3 years.  I can’t applaud them enough for giving this presentation and I think we all expect big things going forward from the Hinge crew!

Heads up – the next meeting is slated for late January.   More info as things develop.  Until next time!

The Foundry's Tom Rockhill kicks us off with an intro

Just want to take a second and thank everyone who came out to our first meet-up the other night. Feedback has been good and this is DEFINITELY something we’ll do up again.

What an incredible, jaw dropping presentation from Fred Ruff @ Bent Image Lab.

Fred Ruff of Bent Image Lab

Wow. I mean WOW. I’ve seen a lot of breakdowns and demos in my day, but the depth and scope of what Fred showed us still has my head spinning. The creature work on Grimm is nothing short of incredible, especially when you take into account the limited resources and tight turnaround they’re on with that show. I know we don’t have a baseball team anymore, but if you ask me, Fred hit a walk off homer straight outta PGE Park. Bravo!

This one had me saying, "Huh? You rigged a fluid?!?"

Also a big hand for Deke Kincaid from the Foundry for some cool new software demos, keeping us up to date. Hiero (pronounced “Hee-row”) looks like a very powerful tool to bridge the gap between editorial and vfx. In a nutshell, it imports the cut and proceeds to divvy things up for us VFX’ers like no tool I’ve ever seen before. It creates the entire VFX folder structure from a predefined template and masters each shot from the cut into it’s place on the tree, complete with an editable Nuke script for the conversion. It can also use those same timeline and pipeline capabilities to run Dailies. Hiero clearly automates and mops up what could otherwise be a complete and total mess when you’re bringing a new project online or reviewing shots. This type of magic is usually reserved for the big studios with custom coded pipelines and a staff of programmers, but with Hiero it looks like the rest of us can get a taste of the “organized life” and make things a little less cowboy.  Like many of you, I’d not had a chance to check it out yet and the in-person demo was gold.

Deke Kincaid shows off the upcoming version of Nuke

We probably didn’t give it the amount of time it deserved because things ran long, but the upcoming version of Nuke looks like it’s packing some long sought after tools. Yee haw, the viewer can finally be used to reliably flipbook shots, thanks to an improved RAM caching mechanism that clearly shows what frames are locked in memory and cached.  This is big, and has the potential to replace Framecycler in the standard comp workflow. There’s a new node for doing tastier Lens Defocus (with super easy custom shape support, no more having to make custom convolves!) and Z Defocus – looked to me like they are starting to tie the GPU in for certain ops like the Z Defocus, too!  Updates to the modeler and point cloud system look tasty… those are tools that everyone definitely wants to see take the next steps. After seeing Fred demo some really hardcore warping and morphing for Grimm, it was nice to hear the that Splinewarp node is getting an overhaul and is targeted for independent source + destination spline support. Also on the radar, they quietly have rewritten and streamlined the RotoPaint node – although there’s not much evidence of it on the surface – but it should result in smaller project sizes and less chance for a script to go corrupt. And the last one worth a mention (but definitely not least) is vastly improved Photoshop psd support: the Photoshop merge node + layer breakout scripts are going to make dealing with matte paintings and the like a whole lot smoother. That’s just a taste of what Deke laid on us, and in record time!

The Red Giant Software crew was in attendance, from their office in Old Town

Worth mentioning that we were a little overly ambitious thinking that we could get to so much during the meeting and we weren’t able to show off any of Katana. With any luck we can get Deke back for a future meeting and we’ll pick up where we left off.

I’ve already had requests about if the presentation was recorded or will be posted online anywhere – sorry to say that there are generally not going to be any recordings of our user meetings, since the material is almost always sensitive. You know, the usual behind the scenes, copywritten, beta software, bleeding edge type stuff. Even more reason to make the effort to come out and catch it live next time!

Loren from Laika's got the right idea - have a brew and some pixels too!

Speaking of next time, we’ll get it going again in a few months. Have a nice summer and I’ll see you all then!  Make sure you sign up for the email list to be notified of the next round up, and watch for the website to continue to develop as I get time.