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Eat Your Greens

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…and your reds and your blues too .  Thank you very much, Portland Farmer’s Market!

As digital artists, color is something we deal with every day.  You can bank on that when you walk in the door each morning.  There will be color!  Yet few take the time to understand how the color pipeline works in our VFX tools.

Mostly because the science behind it has historically been hard to digest.  Like broccoli.  What, you don’t like peas?  Digesting how a pixel gets from VFX software to your eyeball is going to take a lot of graphs and pie charts.  Mmmm, pie!  Now that’s something worth digesting.  Brussel sprouts?  Not so much.  But they’re good for you, and you gotta occasionally gag them down.

Luckily for us, genius-type Jeremy Selan (the Godfather of Katana over at Sony Imageworks) has picked up the torch from Steve Wright and made things more towards pie rather than sprouts.  Yes, Steve “The Guy Who Wrote the Book I Throw at My Comp Class and Jr Compositor’s Heads And Hope it Knocks Some Sense Into Them” Wright.  Or maybe just Steve “The Blue Book Guy” Wright is easier to digest?   …and this is all about easy digestion today as opposed to concussions.  But what this isn’t about is Steve.  Still a must read, his book did a very good thing and explained part of the puzzle, which is kind of the “how a pixel becomes law” approach to end to end gamma down the chain.

Jeremy raises the bid so much I think he just went all in, Texas Hold ‘Em style.  He’s just unleashed a white paper called Cinematic Color:  From Your Monitor to the Big Screen that is pure, unadulterated, Grade A certified gold.  Nah…  platinum.  It doesn’t get any better than this.

Obscure bits like CIE colorspace – that of your own human eyeballs?

In there.

Linear workflow?  Covering both display-linear and scene-linear?

Check!

Macbeth charts?  Marcie?  3D Color Polyhedrons?

Oh yeah.  And more.

Ah Marcie, makin’ hair highlights look good (since 1994)

Sure, it’s both dorky AND nerdy.  I’d darn near call it nerky!  But it also accounts for why things occasionally look right or wrong on your screen, and is an essential step in tracking gremlins down when things get messy and color nodes and lighting tools stop doing what you expect them to.

This is the de facto color pipeline document to end all color pipeline documents, fully vetted by the VES brain trust and free for mass consumption.  Pick yourself up a copy and more info here.

And 1000 thank yous to Jeremy for putting this together and putting years of research and expertise out there.  Hats off to ya.  By the way, nice black and white website.  🙂

Office Space: Fashionbuddha

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Let’s talk Office Space. No, no TPS reports (mmmkay?) or bashing up malfunctioning fax machines here, although probably not a day goes by I don’t quote the genius of Mike Judge. Nope, in this case, it’s time to take a step back and have a look at the place we spend so much of our waking lives. Let’s talk shop, literally.

The Office Space posts will take a look at some of the best, most inspiring spaces and office environments in the Portland VFX scene. It’s an idea that occurred to me while doing studio tours along with my VFX classes at the Art Institute of Portland over the years.  As we got around town to a new shop each term, we started to realize we’ve got something special going here.

Oh, you know, it’s not always puppy dogs and ice cream out there.   I think we’ve all had our fair share of temp spaces where you look at your desk and it’s like, “why bother?”  Being the rough and tumble world of production that we live in (some more than others), often times we’re chucked into a garage or warehouse with a bunch of space heaters and ikea furniture and still meant to do our best work.   But growing pains and makeshift situations aside, there’s definitely something to be said for making the most of your space and surrounding yourself with things that keep you going when the going gets tough.  Once you get to be somewhere with permanent prospects, and they give you your own chunk o’ real estate to call your own…   that’s when things get interesting and you can start dialing it in just so. When this environmental evolution starts to take place, sometimes over the course of several years – you can’t help but see someone’s personality come through in their space.  Definitely one of the keys to sanity (tm).

In this first installment, we’re getting a tour not of just any one person’s space, but a whole studio worth.  One of my favorite Portland studios – interactive, design, animation and self proclaimed digital skunkworks Fashionbuddha! As if their previous west side waterfront office over in the old Merchant Hotel wasn’t cool enough, they’ve upped the ante and shifted across town to snag the top floor of the coveted Leftbank building, split alongside Sockeye Creative.  The ‘buddha is pitching anchor and setting up shop for years to come, and it’s now getting to the point where they can show it off. Let’s open that door and have ourselves a look – right this way!

As you walk up to the front door of the Leftbank, it’s hard for the Trail Blazers fan in me not to notice the proximity to the Rose Garden – directly across the street.  Which, of course, means we are also directly in the heart of the Rose Quarter.  A stone’s throw from the Broadway Bridge, and the first stop on the new streetcar east side loop.  Nice view!

The Leftbank building underwent a major refurbbing and rebirth in 2009, and it’s new wave of residents are as diverse as they come; in a strange cosmic way (or perhaps by design) they all seem to combine to form a sort of perfect creative Voltron.  A group of Trail Blazers in their own right.  You’ll see what I mean in a minute;  it’s a unique chemistry that’s on tap here, and we’ll take the scenic route on the way up to Fashionbuddha’s roost.

As you enter, you’re immediately hit with the wafting trail of coffee being ground by the Stingray Cafe, who are holding fort in Leftbank’s lobby.  Breakfast, lunch and the occasional late night pre-Blazer game fare served up daily.  I’ll order up a split shot soy mocha, thanks. It’s my day off and still before 10:30, so as usual I’ve not quite joined the living yet.  Better pep up for the tour and, really, who could make it past that smell of fresh coffee without getting roped in?

The funky wood encased elevator holds a bulletin board with all sorts of techie announcements and job posts, and it’s glaringly obvious that Fashionbuddha are not alone.  Other than the aforementioned Sockeye Creative, Leftbank is also home to a roster of tenants known affectionately as the family and notably in there is an office pod collective known as the Hive (not to be confused with Hive-FX).  As a freelancer myself, I always wonder if this sort of an office setup away from home might be a glimpse into my crystal ball?  A sole proprietor can presently rent a cubicle in the Hive for about $350/month, and have 24/7 office access and I believe shared internet, utilities and IT support, and including bike parking, shower, kitchenette, you name it.   Not to mention the energy and atmosphere brewing.  Mmmm, good coffee btw.

Speaking of brewing, I’m sorry but I seem to have pushed the down button in the elevator. I did say the scenic route, didn’t I? I couldn’t pass up the chance to head downstairs to Upright Brewery and their tasting room, which is a speakeasy style craft beer soire and defacto “secret spot” to meet up before a Blazers game. Well, not so secret now I s’pose.  It replaced the skeeballin’ good times at the Spirit of ’77 and then Windows (top floor bar of the Red Lion Hotel) as the go-to pregame ritual, and is such a great place to grab a pitcher with some friends.  Drink basement-style amongst the vats as people chuck on whatever record they’re feeling at the moment.  DJ Democracy in the house!  And the beer?  Solid, and even better given that it’s solidly priced.  Upright (named for jazzer Charles Mingus weapon of choice, the upright bass) keeps it simple and numbers their beers rather than confusing things with these “names.”  Roads? Where we’re going we don’t need “roads.”  🙂   I’m a #5 fan m’self…  but that’s for another day.  Let’s head upstairs and get the real show on the road (or lack thereof).

Yep, third floor, Fashionbuddha. Here we are!

Walking in, we’re greeted by…   just about the cutest white pit bull (mix?) I’ve ever seen,  and as friendly as they come.  Super cute.  Meet Bella, deserving of the title office mascot today.  I’m told Nemo, a 12 yr old Shepherd, is also usually at the studio.  Need me to sign an NDA, Bella?  Woof?  Hmmm, now is that a “yes” woof or a “no” woof?

 

The first impression that hits you when you absorb the room is how open the space is.  No divided cubicles here.  No generic painted gray or beige walls.  Windows all around, and skylights too. With those braced metal desks and smooth reflections on the metal surfaces complimented by wood and brick, you couldn’t raytrace it any better than this!  Ok, nerdy 3D jokes aside, the light does reign free here, but the computer screens are carefully angled so artists can see and work without glare, making you wonder why some of us work in spaces so low on light they could pass for dungeon if Game of Thrones was scouting locations around Portland.  Offices line the wall to the right, but notice all of the big gliding plank doors are wide open.  Some thick Feng-shui in the air – this space is well designed.  Everything is in it’s place for a reason, and there was careful thought behind the placing of every piece.  The mark of people who care about the visual aesthetic.

Executive Director Robert Lewis with Blue the puppet dog (from the Intel webseries Cam & Maggie)

Enter Skylab Architects, who partnered with Fashionbuddha on the design of the space.  Form and function given equal love, and plenty of personality injected along the way.  Everyone, meet Founder & Executive Director Robert Lewis, the driving force behind Fashionbuddha.

“They gave me a list of furniture and bits to buy and as I started to see it come together, there was an ah-ha moment.   Ahhh, ok, now I see why they chose those chairs, paired with those light fixtures,” he said.

 

And by now you’ve noticed the sofa.  The sofa.  To end all sofas.  What a couch!  Robert, ok seriously, can you jump on up there so I can show them all the scale of it? (by the way, worth noting that Robert is a normal sized guy despite being reduced to a Hobbit when sitting on a couch this size)

I mean, I’m almost without words here.  Pulling this pic into Photoshop before uploading made me feel like I was working on Alice in Wonderland all over again.  The sofa is a completely custom job.  Custom made to be massive.  Massively comfy.  He confirms that the entire company can fit on the sofa.  Best…    meetings…    ever.

The doors of the old office in the BG will become the conference room table

Moving from the casual meeting space of le grande divan, there is also a formal conference room, which is fully functional but a work in progress.  “The plan all along has been to take the doors from the old office and convert them into our conference room table,” says Lewis. “There’s a lot of history there.”

Several offices line the side of the main room, and with the open door policy you can’t help but wander in.  What’s this?  Further evidence that we live in the stop motion capital of the free world, that’s what!

There’s the remnants of a little miniature set with the familiar faces of Luke, Yoda and R2D2’s chrome dome.  Ha ha, Fashionbuddha recently finished up their contribution to the organic Star Wars Uncut, which is currently taking submissions for the The Empire Strikes Back!

Fashionbuddha chose scene 188, a great slice of a classic, and although I hesitate to put this as the first image some of you will have ever seen from Fashionbuddha, it’s just so darn fun. They earned this embed!

Star Wars Uncut Scene 188 from fashionbuddha on Vimeo.
Good times after hours, no doubt!  And it’s clear to anyone that behind all of the techie cascading style sheets and action scripting madness lies a heart deep rooted in animation.  Robert spills the beans as to the story behind the name, “Fashionbuddha is a character I created as a freelance illustrator. The site originally promoted my illustration but later grew to include design and programming work and expanded from there.”

Over the years they’ve had some amazing projects come their way across a wide variety of mediums.  Says Robert, “Object Stories remains one of my favorite projects;  thinking about the future of museum exhibits and the role of technology in public spaces is fertile ground for exploration.”

When it comes to VFX, Fashionbuddha uses it as a tool to support their narratives and design work.  Let’s see if I can dig up a past VFX heavy project that puts this heart of both art & science out on the ol’ sleeve.   I was just scrolling through Fashionbuddha’s uploads on Vimeo and I was reminded of this gem, a run of commercials done for the Monterey Aquarium a couple years back.  These were hot off the press when my VFX class strolled through and I was first introduced to Fashionbuddha. Very tastefully done, a nod to those stolen “did that really just happen?” moments.  Another embed earned, and this is more along the lines of the quality work you see repeatedly from the studio:

Monterey Bay Aquarium – Share the Love from fashionbuddha on Vimeo.
Worth mentioning that, like any big move, this one is being done in phases and this is still in the early days, relatively speaking.  There are more pieces being added from the Skylab directive, and other bits and bobs that will continue to refine the space over time.  As we walked around, Robert was pointing out “oh, yeah, we were thinking we’d do something different with that, and those cables there are going to be routed up over that way instead…”  They’ve brought the space most of the way but still have some refinement and works in progress to sew up.

Also worth mentioning, since this is the first of the series, that any of the photos can be clicked on for a larger view.  Don’t be shy!

Robert sums up the time and effort invested into the space with this – “I believe we could do great work in a coffeeshop, or even a closet, but ultimately we chose a space that inspires us and encourages us to share ideas and collaborate.  It’s also a space that has room to experiment and is located alongside so many other creative studios and people.  Our projects and teams are getting larger and more complex.  The new space allows for better collaboration, experimentation, and room to grow.”

Well said!  On that note, we’ll wrap up this tour and pop back out the front door.  Thanks for coming along for this one – we’ll be keeping an eye on Fashionbuddha as the projects continue to deliver, with great design and animation fueled by this incredible space that they’re weaving.  I’d say “thanks for the look behind closed doors” to Robert and the crew,  but yeah…   by the looks of things, none of those doors are ever closed…    🙂

Cheers to opening doors in the Portland VFX scene.

Happy Hallowoge!

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Another Halloween come and gone, and this year we had an unexpected little treat knock on our door and demand candy.  Portland Compositor & Motion Graphics Animator (Composimator?) Adam Sager and his daughter Maggie popped out this incredibly cute little tribute to everyone’s favorite recent scene from the show Grimm, where Monroe explains to Hank how the creature transformation (“woge”) works using a “visual aide.”


Woge (A Grimm Retelling) from Adam C Sager on Vimeo.

Check the original scene from the show here:

When working on the shots, I was told the first Monroe morph (the one where Hank can’t “see” him yet) was the longest morph in the show’s brief history.  Well, ya know…   as in, instead of a handful of frames it was 45 or 50.  But that’s an eternity in morph-time! It was Bent Image Lab VFX Supervisor Fred Ruff’s idea to do this one a little differently and really stretch it. Let it linger as long as we could possibly get away with (a little “creative interpretation”) and to bring the morph on front to back…  wrapping it up with a quick couple of frames that pop that wild creature hair on quickly at the tail end. It’s so different by design, you have to pop that on quick like a band aid rip! All to coincide with the rippling sound effect.

Speaking of sound effects, Adam said that the audio work was the hardest part about the “retelling,” as he had to digitally slice out Monroe’s dialogue and swap for Maggie’s.  To sell it he had to leave the bed of music that was in the original scene, and anyone who’s done any audio surgery knows this is no easy task!

Careful Maggie, you don’t want to stick like that!

Aside from the fact that Maggie is cute as a bugs ear, let’s talk real talent for a second.  (insert tongue firmly into cheek…)   Just like when daddy works on the real show, the Maggie morph was executed flawlessly.  Her facial style clearly draws from such classics as Jim Carey in The Mask and Maculay Culkin in Home Alone;  I’m already talking to Andy Serkis and the team from King Kong & Gollum about her limitless potential.  I wonder if she has actor Silas Weir Mitchell (Monroe) scratching his head, wondering why he never thought of that?  It’s not like Grimm is a Timbers soccer match, buddy…   there are no rules here; let’s get some hands up in this piece, Sager style!  Maggie clearly has a bright future in creature acting, if she doesn’t decide to keep after these more dramatic buddy flick/cop show roles that no doubt will flood her way.   They’re probably already trying to pair her up with Will Ferrell’s daughter (warning, language!):

 

Good Cop, Baby Cop from Will Ferrell

And you know Jaden Smith wants in on this action. Maybe he’ll karate kick his way through this door as Huggy Bear?  The ladies could use some muscle!

In all seriousness, the “retelling” was shot last Sunday at friend Rory’s house, with some helpful gear borrowed from Fashionbuddha.  A fun little romp for the Sagers that’ll be a cute little snapshot to look back on years later.

Clear some space on that mantle, Maggie, because in honor of this stellar performance, you take home VFX/PDX’s highest honor that we can bestow on the little actors playing along with Mommy or Daddy’s crazy ideas.  The Oscar.  We could do this right and fire up a ceremony complete with Kyle McLaughlin singing the City of Portland Anthem from the Olympics episode of Portlandia, but this post is getting too long already… (me? long winded? nahhhhhh)

Constantly reminded of how sometimes work and life overlap in funny ways.  A friend of mine, years ago now, shot a little short with his 2 year old as Superman leaping tall buildings (or were they cardboard boxes…) in a single bound.  Who needs tights when you have Superman PJ’s?   Doing what we do, he had frickin’ laser beam vision in there, the whole 9 yards.  Now fast forward 2 or 3 years down the line, we’re both working on the real Man of Steel.   Ha, I’ll track his “tribute” down, it’s prolly up on the Youtube – and I’m sure little Layne loved the scene where he’s spewing lasers from his eyes and cheered when he first saw it.  His imagination came to life! And I mean, it’s a given that the little ones love seeing themselves on TV, and that it’s guaranteed laughs… but c’mon, flexing a little “Mommy/Daddy works on TV shows & movies!” muscle does a lot to help make up for the long hours and stress.

That vivid imagination might have a bright future in VFX by the way. How many of us got roped into this stuff watching Christopher Reeves dart into a phone booth? Han Solo pull out that blaster?

Not to mention the obvious: that once they are computer literate, you can funnel that boundless energy and put your kids to work as roto artists!  Bwa ha ha… isn’t that why farmers used to have like 10 kids?  Instant VFX army! Just kidding, but c’mon, have fun with it…   filming your kids is cool.  You know what – I’m pretty sure if our parents had digital cameras and Youtube, they’d have done it too!

Catch the Halloween episode of Grimm on Hulu now.  Again, Bent Image Lab and Monroe come up big with some well timed comic relief and the “trick or treat” scene is the winner in this one.  That scene was shot in St. Johns up by Pier Park, don’t ya know?  The neighborhood was buzzing as they used my friend’s house for some of the exteriors and to store gear as they continued shooting up the street.  Grimm does it’s part to keep Portland weird, and I think I speak for everyone when I say I’m looking forward to future Grimmful Halloweens. Own it, guys!

So, Adam, now that I’ve linked your cute little vid…    let’s talk gummy worms?  Hook me up!  Ha ha…   🙂

Happy Hallowoge all!

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